David Blair directs this British drama, loosely inspired by John Steinbeck's novel 'Of Mice and Men'. Set in Nottingham, the film revolves around the relationship between the thuggish Danny (Stephen Graham) and Joseph (Adewale Akinnuoye-Agbaje), a giant of a man with a mental age of seven. When Danny finds himself in debt to a local crime boss, he feels he is left with no choice but to manipulate Joseph into participating in a series of underground cage fights from which Danny can profit. Salvation appears to call out to both men when they begin relationships with Lisa (Emma Stansfield) and Isabel (Maxine Peake), but will they be able to escape the bloody world of gambling and fighting Danny has plunged them into?

British 'zomcom' (or zombie comedy, if you prefer) starring Danny Dyer. When six men suffering from various symptoms of mid-life angst head off for a weekend in a remote country village to reconnect with their masculinity, they discover that all the women there have been infected with a virus that turns them into man-hating cannibals. The idea of a mid-life crisis quickly pales into insignificance compared with the catastrophe the men now face.

NATIONAL BESTSELLER December 12th, 2019, Jade returns to the rural lake town of Proofrock the same day as convicted Indigenous serial killer Dark Mill South escapes into town to complete his revenge killings, in this "superb" (Publishers Weekly) sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones. Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho. Dark Mill South's Reunion Tour began on December 12th, 2019, a Thursday. Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over. Don't Fear the Reaper is the "adrenaline-filled" (Library Journal, starred review) sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones.

The final season of Steven Knight’s beloved BAFTA award-winning drama based in Birmingham and set between the two world wars.

It's 1933, and the Shelby family react to the death of Polly, who was killed during the failed assassination of Oswald Mosley. Plus the end of Prohibition in America and the rise of Nazism in Germany bring new opportunities and challenges.

British crime drama starring Paul Bettany and Stephen Graham as police officer brothers who struggle to maintain their sense of morality while investigating a murder. With their father Lenny (Brian Cox) also an officer of the law in his heyday, policing seems to run in the veins of Joe and Chrissie Fairburn (Bettany and Graham). However, when a young girl is discovered murdered - the most horrific crime to afflict the community in recent memory - the brothers face a stern test of their mettle. A local convicted paedophile Jason Buleigh (Ben Crompton) is their prime suspect but they struggle to locate concrete evidence of his involvement. Disturbed by the fact that his own daughter is around the same age as the murdered girl, Joe decides that using the strong-arm tactics favoured in his father's day is the way ahead. However, when they drive Jason out to a remote area one night in the hope of eliciting a confession events threaten to spiral out of control...

It was an age of adventure. An age of sorcery. An age of unrelenting horror. Sword and sorcery and pulp horror go hand-in-hand. Sinister enchanters working foul magic. Hideous beasts lurking in shadowy dungeons. Blasphemous elder gods uncoiling from forgotten and forbidden temples SWORDS IN THE SHADOWS features twenty-one stories with a bloody stake driven into the heart of both the horror and fantasy camps. Herein, you will find fantasy worlds, brave warriors, fabulous creatures, wondrous magic. But you will also uncover bloodcurdling chills, spine-tingling horror, and an examination of those things that truly terrify.

'An absolute gem of a book' Alastair Humphreys First published in 1926, The Gentle Art of Tramping is as relevant now as then. Tramping is an approach: to nature, to humankind, to nations, to beauty, to life itself. This lost classic is a breath of fresh air for world-weary souls. It is a gentle art; know how to tramp and you know how to live. Know how to meet your fellow wanderer, how to be passive to the beauty of nature and how to be active to its wildness and its rigour. The adventure is not the getting there, it's the 'on-the-way'. It is not the expected, it is the surprise.

Jade Daniels faces down a brutal serial killer in his pulse-punding tribute to the golden era of horror cinema and Friday the 13th from the New York Times-bestselling, multiple-award winning Jones. Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho. Dark Mill South's Reunion Tour began on December 12th, 2019, a Thursday. Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over. Don't Fear the Reaper is the page-turning sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones.

The Jordan Peele of horror fiction turns his eye to classic slasher films: Jade is one class away from graduating high-school, but that's one class she keeps failing local history. Dragged down by her past, her father and being an outsider, she's composing her epic essay series to save her high-school diploma. Jade's topic? The unifying theory of slasher films. In her rapidly gentrifying rural lake town, Jade sees the pattern in recent events that only her encyclopedic knowledge of horror cinema could have prepared her for. And with the arrival of the Final Girl, Letha Mondragon, she's convinced an irreversible sequence of events has been set into motion. As tourists start to go missing, and the tension grows between her community and the celebrity newcomers building their mansions the other side of the Indian Lake, Jade prepares for the killer to rise. She dives deep into the town's history, the tragic deaths than occurred at camp years ago, the missing tourists no one is even sure exist, and the murders starting to happen, searching for the answer. As the small and peaceful town heads towards catastrophe, it all must come to a head on 4th July, when the town all gathers on the water, where luxury yachts compete with canoes and inflatables, and the final showdown between rich and poor, past and present, townsfolk and celebrities slasher and Final Girl.

Twelve chilling and thrilling stories from the darkest stars of modern horror including Josh Malerman, Caroline Kepnes, Stephen Graham Jones, Ramsay Campbell and more... Created as an homage to the 1980 classic horror anthology, Dark Forces, this collection contains 12 original novelettes showcasing today's top horror talent edited by John F.D. Taff. Within these pages you'll find tales of dead men walking, an insidious secret summer fling, an island harbouring unspeakable power, and a dark hallway that beckons. You'll encounter terrible monsters-both human and supernatural-and be forever changed. These stories run the gamut from traditional to modern, from dark fantasy to neo-noir, from explorations of beloved horror tropes to the unknown-possibly unknowable-threats. ALL-NEW TERRIFYING TALES FROM: CHESYA BURKE RAMSEY CAMPBELL GEMMA FILES STEPHEN GRAHAM JONES ALMA KATSU CAROLINE KEPNES JOHN LANGAN LIVIA LLEWELLYN JOSH MALERMAN USMAN T. MALIK PRIYA SHARMA JOHN F.D. TAFF

Adam Nevill's The Ritual meets Liane Moriarty's Big Little Lies in this atmospheric gothic literary horror. Ten years ago, four young men shot some elk then went on with their lives. It happens every year; it's been happening forever; it's the way it's always been. But this time it's different. Ten years after that fateful hunt, these men are being stalked themselves. Soaked with a powerful gothic atmosphere, the endless expanses of the landscape press down on these men - and their children - as the ferocious spirit comes for them one at a time. The Only Good Indians, charts Nature's revenge on a lost generation that maybe never had a chance. Cleaved to their heritage, these parents, husbands, sons and Indians, men live on the fringes of a society that has rejected them, refusing to challenge their exile to limbo.

Captain Jack Sparrow (Johnny Depp) returns for another swashbuckling Disney adventure. Jack is enticed aboard the Queen Anne's Revenge - the ship of fearsome pirate and Sparrow's arch-nemesis Blackbeard (Ian McShane) - by a past love, Angelica (Penelope Cruz). He soon finds himself on an unexpected journey to the fabled Fountain of Youth - but is the beautiful and seductive Angelica all she appears to be? Geoffrey Rush, Kevin McNally, Keith Richards and Judi Dench co-star.

Blackfeet author Stephen Graham Jones brings readers a spine-tingling Native American horror novella. Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, chasing the ghost of his father and the promise of his Native American heritage, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save his family...at terrible cost.

A spellbinding and surreal coming-of-age story about a young boy living on the fringe with his family - who are secretly werewolves - and struggling to survive in a contemporary America that shuns them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the centre of Mongrels must decide if he belongs on the road with his aunt and uncle, or if he fits with the people on the other side of the tracks. For ten years, he and his family have lived a life of late-night exits and narrow escapes - always on the move across the South to stay one step ahead of the law. But the time is drawing near when Darren and Libby will finally know if their nephew is like them or not. And the close calls they've been running from for so long are catching up fast now. Everything is about to change. A compelling and fascinating journey, Mongrels alternates between past and present to create an unforgettable portrait of a boy trying to understand his family and his place in a complex and unforgiving world.

"My hat is off to Stephen Graham Jones, because he is the kind of author that makes the frustrated writer inside every book reviewer cringe with self-doubt."--"PopMatters"

A novel written in second person. The town is Stanton, Texas, population three thousand; the private investigator is disgraced Midland homicide detective Nicholas Bruiseman, who's so down on his luck that he's forced to take a job as a live-in security guard for the town's lone storage facility. This is his new life--starting over with nothing in the town he grew up in.

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

Infrastructural Lives is the first book to describe the everyday experience and politics of urban infrastructures. It focuses on a range of infrastructures in both the global South and North. The book examines how day-to-day experience and perception of infrastructure provides a new and powerful lens to view urban sustainability, politics, economics, cultures and ecologies. An interdisciplinary group of leading and emerging urban researchers examine critical questions about urban infrastructure in different global contexts. The chapters address water, sanitation, and waste politics in Mumbai, Kampala and Tyneside, analyse the use of infrastructure in the dispossession of Palestinian communities, explore the pacification of Rio's favelas in the run-up to the 2014 World Cup, describe how people's bodies and lives effectively operate as 'infrastructure' in many major cities, and also explores tentative experiments with low-carbon infrastructures. These diverse cases and perspectives are connected by a shared sense of infrastructure not just as a 'thing', a 'system', or an 'output,' but as a complex social and technological process that enables - or disables - particular kinds of action in the city. Infrastructural Lives is crucial reading for academics, researchers, students and practitioners in urban studies globally.

Infrastructural Lives is the first book to describe the everyday experience and politics of urban infrastructures. It focuses on a range of infrastructures in both the global South and North. The book examines how day-to-day experience and perception of infrastructure provides a new and powerful lens to view urban sustainability, politics, economics, cultures and ecologies. An interdisciplinary group of leading and emerging urban researchers examine critical questions about urban infrastructure in different global contexts. The chapters address water, sanitation, and waste politics in Mumbai, Kampala and Tyneside, analyse the use of infrastructure in the dispossession of Palestinian communities, explore the pacification of Rio's favelas in the run-up to the 2014 World Cup, describe how people's bodies and lives effectively operate as 'infrastructure' in many major cities, and also explores tentative experiments with low-carbon infrastructures. These diverse cases and perspectives are connected by a shared sense of infrastructure not just as a 'thing', a 'system', or an 'output,' but as a complex social and technological process that enables - or disables - particular kinds of action in the city. Infrastructural Lives is crucial reading for academics, researchers, students and practitioners in urban studies globally.